Showing posts with label Gangs. Show all posts
Showing posts with label Gangs. Show all posts

Tuesday, April 2, 2019

Questions of Violence Linger After Murder of Rapper Nipsey Hustle

They nabbed a suspect, but questions of violence and the star's dream linger.

At the Los Angeles Times:

The killing was like many others in this city — a young man gunned down on a street in South Los Angeles.

The questions were familiar too. Was it gang related? A personal dispute?

But because the victim was renowned rapper Nipsey Hussle, the mourning transcended family and friends and became a citywide conversation.

Hussle's coming of age as a member of the Rollin' 60s Crips who made it big in the music industry was on Angelenos' minds. The conversation included broader narratives about the persistent violence in South L.A. and Hussle's efforts to help young people harness their creativity through avenues such as the tech industry that have not traditionally been rooted in black and brown neighborhoods.

Hussle's choice to put his money in the community he came from as the owner of many small businesses, including the clothing store where he was fatally shot Sunday, is part of what many see as his legacy. He viewed entrepreneurship as a way to find success beyond the long-shot occupations of sports and music.

But the choice to stay close to home also put him in the line of fire as a wealthy and influential person in a place where disputes among acquaintances and rivals are sometimes settled violently.

"Being quick to the gun — the resolving of problems with a gun is going to always end up bad," said Ben "Taco" Owens, who works to prevent gang violence in South L.A.

The dichotomy was on display late Monday when several people were injured at a vigil for Hussle that turned violent when the crowd stampeded after reports of gunfire. Police said no shots were fired, but paramedics transported more than a dozen people, including two in critical condition, to the hospital. Most of the injuries were related to people being trampled.

On Monday, as radio DJs devoted their programs to Hussle and online tributes continued to pour in, LAPD sources said they had identified the suspect as Eric Holder, 29, of Los Angeles, and said they are searching for him.

Holder was last seen in a white, four-door 2016 Chevy Cruze, with the California license plate number 7RJD742. The vehicle was driven by an unidentified woman, according to the LAPD.

Authorities had previously said the shooter was someone in Hussle's orbit and they believed the motive was likely personal, not a gang feud.

According to initial reports, a young man opened fire on Hussle at close range before scrambling to a getaway car. The L.A. County coroner said Monday that Hussle, 33, whose legal name was Ermias Joseph Asghedom, died of gunshot wounds to the head and torso. He was pronounced dead at a hospital at 3:55 p.m. Two others were wounded in the shooting.

The investigation encompasses witness interviews, social media posts and security camera footage of the strip mall that houses The Marathon Clothing, the rapper's store at the corner of Slauson Avenue and Crenshaw Boulevard, a source said.

The LAPD scheduled a press conference for Tuesday morning to provide updates.

"The saddest part of the story is that he represented a new path that gang members can create for themselves as entrepreneurs," said Alex Alonso, a gang expert and adjunct professor at Cal State Long Beach.

RELATED: Nipsey Hussle's dreams were bigger than hip-hop »

LAPD Chief Michel Moore put Hussle's killing in the context of a recent uptick in violence, noting that there have been 26 shootings and 10 homicides in the city since the previous Sunday.

"That's 36 families left picking up the pieces," Moore tweeted. "We will work aggressively with our community to quell this senseless loss of life."

Hussle was set to meet with Moore and Police Commission President Steve Soboroff on Monday to talk about solutions to gang violence.

"Throughout the years, as he fostered success in his music career, he chose ... to reinvest and try to address the various underpinnings that fostered this environment. It's just terrible," Moore said Monday.

As his music career took shape over the last decade and a half, Hussle carefully considered how he would use his platform to influence the violent culture he came from.

He sang about gang life because that was what he knew, he said in a 2009 interview on Alonso's website, streetgangs.com. But he predicted that as his life changed, so would his themes...
More.

Saturday, December 9, 2017

The Rise of N.W.A and the Dawn of Gangsta Rap

An excerpt from Gerrick D. Kennedy,'s new book, Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap.

At LAT, "The moment N.W.A changed the music world":

Eazy-E, Dr. Dre, Ice Cube, MC Ren and DJ Yella caused a seismic shift in hip-hop when they form N.W.A in 1986. With its hard-core image, bombastic sound and lyrics that were equal parts poetic, lascivious, conscious and downright in-your-face, N.W.A spoke the truth about life on the streets of Compton, then a hotbed of poverty, drugs, gangs and unemployment. In “Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap” (Atria: 288 pp., $26), Times music reporter Gerrick D. Kennedy traces the origins of the group that birthed the first major disruption of hip-hop during the genre’s infancy. Ice Cube once said, “Everything in the world came after this group.” In this exclusive excerpt, Kennedy details the brash arrival of N.W.A.

*****

OF THE MANY BIG BANGS that have transformed rap over the decades, N.W.A’s “Straight Outta Compton” is one of the loudest.

It was a sonic Molotov cocktail that ignited a firestorm when it debuted in the summer of 1988. Steered by Dr. Dre and DJ Yella’s dark production and Ice Cube and MC Ren’s striking rhymes, then brought to life by Eazy-E’s wicked charm, the record fused the bombastic sonics of Public Enemy’s production with vicious lyrics that were revolutionary or perverse, depending on whom you asked.

The world hadn’t heard anything like it before. Radio stations and MTV refused to add the title song to their playlists. Critics didn’t get it, couldn’t see past the language, or, worse, refused to acknowledge it as music. Politicians even launched attacks, working to great lengths to condemn the music and its creators.

N.W.A were to hip-hop what the Sex Pistols were to rock — and really, what’s more punk than having a name that dared to be spoken or written in full, and music that incensed a nation?

Red-faced and outraged Americans protested the group, police officers refused to provide security for its shows, and the FBI got involved, but that didn’t stop “Straight Outta Compton,” N.W.A’s debut album, from selling three million records without a radio single.

With “Straight Outta Compton,” N.W.A didn’t just manage to put its hood on the map, the group forced the world to pay attention to the rap sounds coming out of the West Coast. It’s an album that provided the soundtrack for agitated and restless black youth across America with its rough and raunchy tales of violent life in the inner city, expressed through razor-sharp lyrics.

“It was good music,” LA rap-radio pioneer Greg Mack said. “And the lyrics, they meant something.”

The emergence of N.W.A — who billed itself as the World’s Most Dangerous Group — in the late eighties provided a jolt to the rap industry. Public Enemy had already helped redefine the genre by ushering in aggressively pro-Black raps that were intelligent, socially aware and politically charged. But N.W.A opted for an angrier approach.

The group celebrated the hedonism and violence of gangs and drugs that turned neighborhoods into war zones, capturing it in brazen language soaked in explicitness. “Street reporters” is what they called themselves, and their dispatches were raw and unhinged — no matter how ugly the stories were.

Like the Beatles, N.W.A’s lineup was stacked with all-stars: Eazy-E, Ice Cube, Dr. Dre, and MC Ren would become platinum-selling solo rappers, while DJ Yella helped Dre break ground on a new sound in hip-hop.

They were the living embodiment of the streets where they were raised, and there was zero pretense about it. And when it came to subject matter, with N.W.A, politics took a backseat. Instead, frustrations about growing up young and black on the streets of South Central Los Angeles became the driving force behind their music.

Gangs, violence, poverty, and the ravishing eighties crack epidemic swept through black neighborhoods like F5 tornadoes. People were angry and restless, and without a flinch N.W.A documented its dark and grim realities like urban newsmen.

“Straight Outta Compton” was a flash point that spoke for a disenfranchised community and disrupted the order of those who were confronted with the voices and images of a community they’d much rather ignore. Black teens and young adults immersed in street life, yet looking for something to hold on to, flocked to the album. And so did white, suburban, middle-class teens who knew nothing about the “hood” or a life inside it, but looked to rap as an outlet for rebellion in the same way their parents gravitated toward the angsty countercultural attitudes percolating in rock music during the 1960s.

As unapologetically violent, misogynist, and problematic as their lyrics often were, the group’s harrowing depictions of urban nightmares provided a vital response to the growing disenfranchisement from the Reagan-era politics that had transformed the nation and created an economic catastrophe for metropolitan Los Angeles. N.W.A introduced an antihero. The way Melvin Van Peebles’s groundbreaking 1971 film “Sweet Sweetback’s Baadasssss Song” used America’s longstanding perception of black men as seething, violent hunks to politicize the image, N.W.A brought it to life by mixing reality with fantasy through its music — and the result was as terrifying as it was successful.

At its peak, Eazy’s Ruthless Records — a label he started strictly as a means to get off the streets — was the number-one independent label in the industry and the largest black-owned indie since Berry Gordy’s legendary Motown empire. Without Eazy laying down the foundation for hustlers-turned-record-executives, who knows if Death Row, Bad Boy, No Limit, or Cash Money could have existed. How would Jay-Z ever have known he could go from slinging crack cocaine to creating Roc-A- Fella had Eazy not done it less than a decade before?
More.

Saturday, February 25, 2017

Violence Breaks Out in Anaheim as Off-Duty Cop Scuffles with 13-Year-Old Boy (VIDEO)

Everything's going to be videotaped nowadays.

And a single off-duty cop would be having a hard time anyway, surrounded by a gang of young teenage hoodlums.

At the Los Angeles Times, "How an off-duty cop telling teens to stay out of his yard escalated to gunfire, protests and outrage":

The altercation on the tidy, suburban street in Anaheim apparently began with a complaint common in many neighborhoods: a group of teenagers walking through a neighbor’s yard on their way home from school.

But this seemingly mundane dispute spun out of control on West Palais Road on Tuesday when authorities say an off-duty Los Angeles police officer confronted the group. Other teenagers pulled out their cameras, filming the officer as he held a 13-year-old boy by the collar of his sweatshirt, trying to detain him.

The situation quickly escalated from there. At one point, another teen rushed the officer, sending him tumbling over a line of bushes. The officer then reached into his jeans and drew a gun, firing a single shot.

No one was hurt by the gunfire, which Anaheim police said was aimed at the ground. But footage of the encounter stirred uproar across the country, prompting criticism of the off-duty cop’s actions and questions over why investigators arrested two teenagers — but not the officer — at the scene.

As the video went viral Wednesday, more than 300 protesters took to the streets to protest the shooting. Police broke up the demonstration and arrested 23 people, but not before some vandalized the officer’s home.

The tension in Orange County’s largest city comes after several incidents in recent years in which Latino activists have protested police shootings that they felt unfairly targeted the city’s large Latino community. Many of the teens involved in Tuesday’s incident appeared to be Latino, and the officer appears to be white.

On Thursday, officials from both Anaheim and Los Angeles scrambled to calm the public’s concern.

“Like many, I am deeply disturbed and frankly angered by what it shows,” Anaheim Mayor Tom Tait said about the footage of the incident. “The video shows an adult wrestling with a 13-year-old kid and ultimately firing a gun. … It should never have happened.”

Anaheim police are investigating the altercation itself while the Los Angeles Police Department and Inspector General are conducting internal investigations into the officer’s actions.

The Los Angeles Police Commission will ultimately decide whether the officer violated any LAPD rules during the encounter.

“I am very interested in knowing the facts of the incident based on the investigation by the department and the Office of Inspector General that is underway,” said commissioner Cynthia McClain-Hill. “Some of the actions — brief as that exchange caught on video may be — do not properly represent what I believe should be expected and reflected by a member of the Los Angeles Police Department when engaging members of the public, be it on-duty or off-duty.”

The officer, whose name has not been released by authorities, was removed from the field, which is standard protocol after shootings by LAPD officers.

An attorney representing the officer, Larry Hanna, declined to discuss the encounter in detail, citing the ongoing investigations. He also declined to name his client or describe his work with the LAPD, saying he was concerned for his safety.

“All of this will come out,” he said. “I just think that people should let the investigators do their job.”

The union representing rank-and-file LAPD officers came out strongly against those who criticized the officer’s action...
More.

Wednesday, August 24, 2016

Long Beach Experiences Surge in Crime

Unexpectedly!

And it's not just the Ferguson effect. California's on the leading edge of the "de-incarceration" movement, with predicable results.

And remember, Long Beach is home to some of the most notorious gangstas anywhere in the country. Local hoodlums brag about their Long Beach creds. Snoop Dogg came out with "I'm From Long Beach" last year, apparently trying to capitalize on this city's hoodlum image:
After dark, no hooks, no marks, all Gs
Dip through the Funk House and I graduated with all Cs
So dope and I made bread
Never switching that's some real shit
Stayed down from the playground
And I always represent 20 crip...
In any case, at the Long Beach Press-Telegram, "Crime spike in Long Beach continues":
Police Chief Robert Luna said his department has been concerned about the crime rate since it began rebounding from historic lows in recent years.

In 2014, the number of violent crimes committed in the city was the lowest in 42 years, but violent crime jumped up almost 20 percent in 2015. That included 36 murders, the highest number in six years.

KEEPING US UP AT NIGHT

“To see numbers like this, I’ve got to be honest with you, was keeping us up at night trying to figure out what was going on,” Luna said.

As crime has increased, so have the number of calls the police department has to respond to, according to the chief.

“We’re working more overtime right now to keep up with the workload,” Luna said.

Overtime is often assigned to a specific location and at specific times to tamp down areas where police see crime trends, Luna said.

The chief also said recent changes in California law have made it harder for officers to do their jobs. For example, Proposition 36 softened California’s three-strikes law. Proposition 47 reclassified a swath of felonies, including many drug crimes, as misdemeanors. And AB 109, a prison downsizing bill known as realignment, put local law enforcement in charge of supervising lower-level parolees.

Luna said he couldn’t directly tie the rise in crime to those changes, but he said he’s “highly suspicious” that offenses started trending upward after they went into effect...
And don't forget the war on cops.

Tuesday, October 6, 2015

LAPD Officers Feared Ambush Because of Rappers' Video

At the Los Angeles Times, "LAPD shooting: Officers feared ambush after seeing video, attorney says":

For days, a 15-second video circulated on social media that alarmed Los Angeles police.

Taken from a vehicle parked behind a black-and-white police cruiser in downtown L.A., the clip opened with a view of the patrol car then flashed down to show someone holding a revolver. The person showed the gun off for the camera, then cut back to the patrol car as an officer got out and walked away.

Worried the video was a threat against its officers, LAPD officials briefed the rank-and-file about the recording, warning officers in roll call meetings to be on alert.

On Tuesday, police said that the department’s robbery-homicide detectives — tasked with investigating the LAPD’s more complex and high-profile cases — now believe the video wasn’t a threat against officers but a promotional video filmed by an early 1990s rap group trying to earn street cred and make a comeback.

The clip, however, has already had serious consequences. Investigators have arrested one person who they say was in the car at the time and have a warrant for the man they believe was holding the gun.

Meanwhile, an attorney representing two officers who fatally shot a man Saturday night said the pair had seen the video and thought they were under attack when the man threw what turned out to be a beer bottle through their patrol car’s back window.

Attorney Gary Fullerton said the video was discussed in at least two roll call meetings that the officers attended, including one the same day as the shooting. The officers were also warned that they might be ambushed from behind, he said.

“Both officers were very focused on that,” Fullerton said. “When the window got blown out, they looked at each other and said, 'We're being shot at.'“

Fullerton said that after the shooting, the officers told investigators they thought they were being attacked because of the video they had seen.

The lawyer said that even if the video wasn't a threat, there are others who do want to harm police officers. He defended the officers' actions, saying it was reasonable for them to think they were being fired upon.

“Officers feel very, very vulnerable out there right now. They feel that at any moment somebody could attack them,” he said. “The officers feel terrible because they were 100% convinced that the guy was shooting at them.”

As of Tuesday evening, the man's name had not been released by coroner's officials, who are still trying to locate his family. He was the 18th person shot and killed by LAPD officers this year.

LAPD officials said the man walked up behind the police cruiser, which was stopped at a red light in Van Nuys, and threw a 40-ounce beer bottle, shattering the car's back window. The two officers bailed out of the car and opened fire, killing the man.

When investigators searched his body and the nearby scene, police said, they did not find a weapon...
Keep reading.

Saturday, August 15, 2015

'Straight Outta Compton' Reviews Slam Overly-Long Sputtering Film That Leaves Out Group's Hate Speech

Following-up up from yesterday, "Ice Cube on Charges of Racism, Anti-Semitism: 'That's not who I'm about ... you can't discriminate...' (VIDEO)."

It turns out that the flick's getting so-so reviews. Mostly, the films starts out strong, then sputters with plodding scenes of the band's infighting and black-ho "bacchanalia." Kenneth Turan, at the Los Angeles Times, is particularly bored by it, "NWA film 'Straight Outta Compton' starts fast but runs out of gas."

Joe Morgenstern's underwhelmed as well, at the Wall Street Journal, "‘Straight Outta Compton’ Review: Hip-Hop History With Attitude":

“Straight Outta Compton” celebrates N.W.A. as poster men for free speech in their perennial disputes with would-be censors. That’s an appropriate part of the equation, but the movie declines to discuss the group’s hate speech—the violence, misogyny, antigay views and scattershot racism that pervade its songs. (Anti-Semitism comes up only because Heller is outraged by Ice Cube’s attacks on him, as well as on N.W.A., the rapper’s former group, in his notorious song “No Vaseline.”)
Only Manohla Dargis, at the New York Times, of the three major reviews I've read, eschews serious criticism. See, "Review: In ‘Straight Outta Compton,’ Upstarts Who Became the Establishment."

Friday, August 14, 2015

Ice Cube on Charges of Racism, Anti-Semitism: 'That's not who I'm about ... you can't discriminate...' (VIDEO)

You gotta read Michelle Malkin's column out today. It's like damn!

Here, "Straight Outta Whitewash":

Straight Outta Compton photo Straight-Outta-Compton-2015-Movie-Watch-Online_zpszijmzvts.jpg
My Instagram and Facebook feeds have been filled with unwitting apologists for racism against Korean-American small-business owners.
Heckuva job, Hollywood!

Here’s how the poison is spreading. A savvy marketing team at Universal/Comcast Corp. developed a web toy that allows social media fans to customize the theatrical poster logo for the media giant’s new biopic, “Straight Outta Compton.” Hundreds of thousands of clueless users have uploaded photos of themselves and substituted “Compton” with the names of their hometowns.

Jennifer Lopez, Serena Williams, LeBron James and Ed Sheeran are among the celebrities who helped make the meme go viral. Youth vote-pandering GOP Florida Sen. Marco Rubio jumped on the cultural bandwagon, too, with two obsequious messages on Twitter featuring the hashtag “#straightouttacompton.”

Update: And, of course, the celebrity dolt-in-chief’s administration used the meme to tweet about the Iran Deal.

It’s a publicity coup for rappers-turned-multimedia moguls Dr. Dre (Andre Young) and Ice Cube (O’Shea Jackson) as they pimp the movie — named after their breakthrough 1988 album — glorifying the rise of their band N.W.A. (Niggaz Wit Attitudes) and the hardcore gangsta rap genre.

“Straight Outta Compton’s” cop-bashing, thug-promoting songs — most notably “F-k the Police” — vaulted Young and Jackson into the entertainment stratosphere. Young is a near-billionaire after becoming a producer, promoter and maker of overpriced headphones (the company was bought by Apple for $3 billion last year). Jackson embarked on a successful career as a solo rapper, mainstream actor and comedian.

Their hagiographic movie omits Young’s history of assaults on women and completely whitewashes Jackson’s incendiary attacks on Korean storeowners in South Central Los Angeles.

Shortly before the 1992 L.A. riots, Jackson had penned the hate-filled song “Black Korea” for his best-selling platinum solo album, Death Certificate. He seethed against law-abiding immigrant entrepreneurs in his ‘hood and threated to burn their stores “right down to a crisp”:

Every time I want to go get a f–king brew

I gotta go down to the store with the two

Oriental one-penny-counting mother–kers;

They make a nigger mad enough to cause a little ruckus.

Thinking every brother in the world’s out to take,

So they watch every damn move that I make.

They hope I don’t pull out a Gat, try to rob

Their funky little store, but, b-tch, I got a job.

So don’t follow me up and down your market

Or your little chop suey ass will be a target

Of a nationwide boycott.

Juice with the people, that’s what the boy got.

So pay respect to the black fist

Or we’ll burn your store right down to a crisp.

And then we’ll see ya…

‘Cause you can’t turn the ghetto into black Korea...
Keep reading.

Then watch last night's ABC's Nightline interview with Ice Cube, where he claims he's a changed man on his earlier racism, 'That's not who I'm about ... I'm a black man ... you can't discriminate...'

Watch: "Straight Outta Compton,' Paying Homage to the Roots of Rap."

Naturally, ABC omitted that part in its segment on Good Morning America, "Straight Outta Compton' Inside Look."

Sunday, May 17, 2015

Sunday Biker Gang Shootout in Waco Leaves Nine Dead

At KWTX-TV News 10 Waco, "Sunday Biker Gang Shooting Leaves Nine Dead, 16 Injured."



Sunday, February 1, 2015

'Straight Outta Compton' — Real Life Imitates Art as Suge Knight Charged with Murder in Fatal Hit-and-Run

Here's TMZ with a follow-up, "Suge Knight -- Arrested for Murder in Hit and Run (UPDATE)."

And at LAT, "Suge Knight's arrest foreshadowed in 'Straight Outta Compton' scene":
On a film set in Leimert Park, an actor playing rap mogul Suge Knight angrily peeled out of a parking lot in a Jeep. The film, "Straight Outta Compton," tells the origin story of N.W.A and its famed members, including Ice Cube and Dr. Dre.

The fictional reenactment on the set late last fall took on eerie overtones this week after Suge Knight's arrest on suspicion of homicide. Police allege he ran over two men with his truck, killing one, Thursday following an altercation in connection with the film.

Knight's character has only a minor role in the film, with the parking lot scene depicting a pivotal, early '90s moment in Dr. Dre's business relationship with Knight, one of rap's most feared players.

Dr. Dre and Ice Cube are both producers on the Universal Pictures film, but Knight was not involved, director F. Gary Gray said during the shoot in September. When asked if the former record label exec had ever visited the set as many former associates and N.W.A group members had, the otherwise talkative Gray gave one flat answer: "No."

The history between Knight and Dr. Dre (a.k.a. Andre Romelle Young) is one of success and tragedy. Dre and Knight co-founded Death Row Records after N.W.A's demise in the early '90s.

The label launched such rap luminaries as Snoop and later signed Tupac Shakur, as well as mainstream chart topper MC Hammer.

Dr. Dre became one of the most respected producers in hip hop because of much of the work he did in that time period.

But Death Row also became the center of controversy, as Knight had numerous run-ins with the law over his business tactics. In 1996, he was sent to prison for nearly five years after the brutal beating of a rival of rapper Shakur's at a Las Vegas hotel; the beating occurred just hours before Shakur suffered fatal gunshot wounds.

Dr. Dre left Death Row in 1996, going on to break artists such as Eminem and 50 Cent, and eventually founded the multimillion-dollar headphones company Beats by Dre. Death Row Records went bankrupt, and Knight lost relevance for most in the music industry...
More.

Thursday, August 14, 2014

What It Feels Like to Be Tear-Gassed — #Ferguson

Well, it's wouldn't be pleasant, that's for sure.

At National Journal:



Police Militarization

I think it's a lot more complicated, the balance of violence, thuggery, and police militarization and overreaction. But militarization has become a huge libertarian issue, for good reason, so you can't discount the concerns. As always, go case by case, and push back against leftist lies. For example, I'm sorry that Michael Brown died, but he was no saint, as his gang thug pictures attest.

At Newsweek, "How America’s Police Became an Army: The 1033 Program."



GANGSTA! #Ferguson Teenager Michael Brown Shown Flashing 'Bloods' Homeboy Gang Signs! (PHOTOS)

At Gateway Pundit, "BREAKING: Michael Brown Was a Local Gangster – Seen Flashing #BLOODS Gang Signs."

 photo f04535b7-2069-42f1-aae2-e051083c23ed_zps790a3c66.jpg